We made two rosewood chairs for a client in the UK, who agreed to our making a second pair of Millennium chairs in English holly.  Each component is comprised of up to 40 consecutive veneers enabling them to flex into the complex three-dimensional curves that support and embrace the sitter/body.  These were then spliced together to achieve the flowing lines. 

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Both chairs were shown in the USA where two curators of major collections asked if I would mind them being separated.  One chair is in the permanent collection of the Arts Institute, Chicago, and the other is in an Italian private collection.